Tag Archive for 'MAFIA'

DRAFTED/Part Two Con’t

I AM HELD HOSTAGE BY THE MOB
Part Two
ARTIE’S AMAZING STORY

One shiny suit takes my car keys. The other pokes me with a hairy finger.

“Go.”

They walk me down a dark, narrow ramp, bumping me back and forth between them. My legs buckle, my mouth goes dry. They breathe hard like they’re angry. I am sickened by the sour combo of coffee, cigarettes and Bay Rhum. Are they taking me somewhere for a beating? Or will I just get the hard smack to the back of the head I’ve seen shiny suits give guys outside Tony’s candy store on Tenth Avenue?

They knock on a steel door under a naked bulb.

“Artie, you in there…?”

From inside comes a hoarse grumble. “No, I’m ringside at the Copa.”

Another poke. “Get in there…” And they take a few steps back to make sure I enter.

It’s the embalming room. Only one table, we have four at Riverside. Our embalmers work with white coats, which are left unlaundered until they look like butchers’ aprons. The man I see squinting over a body, cigarette dangling between his lips, is wearing a frayed, gray sleeveless undershirt. He’s wiry and darkly tanned. Blood under his manicured fingernails, a gold watch rolled halfway up his tendoned arm over a tattoo of snakes and eagles and blurry letters…A pencil thin mustache, a pile of black hair, combed into a glistening pompadour.

The body has had a full autopsy –scalp peeled off to reveal the brain; skin parted along the chest cavity, from the stomach to the clavicle. He points derisively at the door. “Tough guys” he says. “They’ll split your skull with a two-by-four and eat a bowl of macaroni, but they won’t go near a deceased…”

There’s a body on a gurney in a corner. The toe tag says. “Gendelmen.”

“That must be yours,” Artie says. “We don’t get Jewish jobs.” He brushes his finger across his nose. ” Only the nice people get buried here, know what I mean?” And points to the body on the table. “Almost every job we get the cops order a full post mortem to make sure it wasn’t a homicide.”

He flips me a crumpled pack of Camels with traces of dried blood around the edges.

“Relax, you might be here for awhile. You got in the middle of a bad beef. Red Hook versus Bensonhurst.”

“But it’s only about fifteen bucks,” I say.

“Jurisdictional dispute,” he says. “Mangelli’s like a housefly on a pile of shit. He don’t know where to go first, you know what I mean?”

I don’t, but I nod anyway.

“He might be a big shot on President Street, but he’s nothin’ here, know what I mean? So now he gets caught with his hand in the wrong cookie jar. And now you’re the pawn in the game. Jungle drums are bangin’ as we speak. Everybody in Brooklyn knows what’s goin’ on and they’re watchin’ to see what he does. If he sends the fifteen bucks to bail you out it means he backed down. So now he’s callin’ people, you know important people, so they’ll call other important people to make Big John let you go.”

I light a Camel and try not to cough. Artie blows smoke through his nose without taking the cigarette out of his mouth. A long ash drops into the chest cavity of the body on the table.

“The big shots live for this kinda shit,” he says. “They got nothin’ better to do, but sit around watchin’ the money roll in. So now they’ll get all jazzed up talkin’ back and forth. They might even have a special sit down about it. Give ‘em an excuse to go eat spaghetti. Get treated like big shots at some joint downtown. This could take all night. “

Once, on my first day in a new school, three kids pushed me into a clothes closet, laughing as I thrashed desperately in the darkness. I have that same feeling now.

“How old are you kid?” Artie asks.

“Nineteen.”

“Get your draft notice?”

“I gotta go for my physical.”

Artie scoops up a handful of viscera and drops it in a cellophane bag. “Don’t tell ‘em you worked in the business. They’ll put you in Graves Registration and you’ll never get out.”

A phone rings. He jabs an extension button and answers. Looks at me.

“Yeah, yeah,” he says.

He hangs up. “What was I talkin’ about?”

“Graves registration,” I say.

“Oh yeah, you wanna hear what happened to me?” He continues before I can answer. “It’s ‘41, I’m lookin’ for pussy. I’m a smart guy, don’t shit where I eat. So I go to a dance outta the neighborhood in Prospect Hall. Pick up a little guinea broad, Caroline…Hot to trot, you can tell by the way they sock it into you when you’re dancin’. Coupla slow Foxtrots and we’re in the back seat of my brother’s Plymouth. Coupla months later three guys show up at my uncle’s place where I’m serving my apprenticeship—Sabbatino and Sons, ten funerals a year, he’s gonna make me a partner, I’m set for life…Caroline’s knocked up, they tell me. Not by me I say, I used a bag. Bang! they smack me. You callin’ my sister a hooer?”

Artie is talking fast in a whisper, as if he wants to get the story told before someone catches him.

“So my uncle brings me here to Big John— not this one, his father. Don’t worry, I know the family, he tells me. It’ll cost you a coupla dollars. And you oughta get outta the neighborhood for a while. Join the Army. By the time you come back everything will be blown over.

“You gotta do what these guys tellya so I enlist. They send me to Governor’s Island. I set up a morgue. It’s a picnic. I don’t even embalm, just ship bodies back to their home states. I’m home for Sunday dinner every week…

“Then guess what happens?” He smacks himself in the forehead. “Pearl Harbor. The war, you believe this? So guess what: they got plenty of guys to shoot rifles, plenty to type orders or drive trucks. But what they don’t have is enough undertakers to take care of the bodies that are pilin’ up all over the place.

“See, these generals, they’re like the big shots around here. They sit around drinkin’ highballs in the Officer’s Club for twenty years and all of a sudden there’s a war and they come up with ideas. Like now they gotta have a clean battlefield. It’s bad for morale to see bodies lyin’ around. And that means work for me…”

The phone rings again. Artie picks it up. “Yeah, yeah, okay.” He hangs up and lights a another Camel.

“I was in every theater, kid. Startin’ in Morocco where we had to dig bodies outta the sand…In combat you gotta bury guys where they fall…We’re duckin’ ordnance in the desert Messerschmitts doublin’ back to strafe the field…Then we went across to Sicily. General Bradley used to check to make sure the battlefield was clean, you believe that. We had to bury the Krauts, too…Some days we had to duck into the graves with the bodies when they counter-attacked…Gotta pick up the guy’s tags, plus any personal items he might have. Make a note of tattoos or scars or any identifying marks…That’s where I got the tattoo…See this? AFGRREG. Know what it stands for? Artie Fiore Graves Registration. So just in case they blew my head off they would know who I was and could send my wallet home to my mother…

“They sent us into England and we thought our war was over, see, after all that time in combat. Instead, we go over on D-day and hit the beach a few hours after the landing. Corpses floatin’ in the water—everywhere. We take fire but we get the beach cleaned hours after we hit. Did we get a medal, did we even get a commendation? Nothin’…See, they didn’t want to remind the homefront that people were dyin’ over there. They made these little films they showed in the theaters about every thing the Army did. But nothin’ about Graves Reg…”

The phone rings again.

“Yeah, yeah,” Artie says. “C’mon kid, that little prick Mangelli folded and sent the money.”

Artie puts a sheet over the body. He slips into a white-on-white shirt hanging over the door. Ties a fat Windsor knot in a shiny silver and green tie. “Take your body, kid.”

He guides me through a dark maze to the garage, lighting one Camel off another, talking even faster.

“‘45, VE Day. War’s over right? But not for me. They keep us in to set up morgues in Japan for the Occupation. Then, in ‘46 when I think I’m finally gonna get my discharge they come in with this shit detail: MacArthur wants to find the remains of the guys who died on the Bataan Death march. We been handpicked because we got so much experience. So we get rewarded with flies, and crud and fireshits for another three months. That’s what they do. They take the best guys and they run ‘em ragged. Like recyclin’ guys back to the front to break the rookies in. See, you can’t let ‘em know you’re good at anything…”

He watches as I horse the body bag into the back seat of station wagon.

“October ‘46, I’m out. I had more than five years in. I come back here and they do me a big favor. Gimme a job in this joint. Same thing. They know I’m good so they abuse me. Let’s get your keys…”

In the office the big guy with glasses on his bald, yellow head, hands me an envelope.

“Give this invoice to Mr. Mangelli…”

A silver suit flips me the car keys. Another needles Artie.

“Hey fruitcake, where you goin’ all dressed up?”

Artie winks at me like he knew this was coming. “I’m goin’ to your mother’s house for dinner…” He waves the cellophane bag of guts in the guy’s face. “I’m bringin’ the tripa…”

The silver suit recoils. “You sick bastard. Get back in your hole…”

Artie laughs. “Everybody’s a tough guy…”

He turns to me.

“Remember what I tole you, kid. Don’t tell ‘em nothin. Don’t tell nobody nothin’.”

NEXT: MY FIRST PHYSICAL

 

MY CAREER AS A PETTY THIEF/PART FOUR

RECRUITED BY THE MOB

It’s Brooklyn 1958 and nobody has ever heard of the “Mafia.”

The word is never mentioned in the black and white B movies (later reborn as noir masterpieces) which we see on rainy Saturdays. There it’s the “Syndicate,” usually located in a luxurious office with a view of downtown LA, the San Gabriel mountains super-imposed in the distance. In the movies, the “boss” is a sleek, well-tailored, well-spoken Robert Ryan-Albert Dekker-Kirk Douglas kind of guy. There is no one who even remotely resembles “Louie from Fulton Street.” who sells fresh fish on beds of ice out of the trunk of his Buick Regal on Prospect Avenue every Friday. Or Rizzo, a hunchback, who occasionally shows up at our apartment door, peeking around me to call my father, “Hey Boinie, I got somethin’ nice for the missus.” And, after a quick confab on the back stairs sells him a watch or a pair of earrings for my mother. My father buys a gold Rolex from him for $85 which he sells for $11,000 thirty years later.

Nobody in the movies looks like Mr. Leo, a shrunken old man in a brown suit who sits at the end of the counter in Tony’s candy store cashing checks for the black and Puerto Rican washer-ironer-folder women from the Pilgrim Laundry with a “hiya doll,” and a “how much you need sweetheart?” So, in 1963, when apostate mobster Joe Valachi tells the world that all of these men are loyal to a tightly controlled hierarchical organization modeled on the Roman legions we find it hard to believe.

It’s summer and my prowess in stickball has led me into bad company. We play in the schoolyard of PS 154; five man teams, two dollars a game and the right to hold the court. I hit the ball over the fence onto the steps of the whitestones across the street. After the game, one of the losers, a stocky kid with a husky voice runs at me. “Who you think you are, Mickey Mantle…?” I flinch, thinking he’s going to hit me, but he grabs me in a headlock and gives me a friendly nougie. “Now you’re playin’ for us.”

His name is Andrew. I’m taken by his supreme self-confidence, the knowing laughter in his black eyes. His older brother Johnny Boy drives us to the games in a red Impala convertible. We’ve been using the ten cent balls made out of two rubber spheres that split in two when you hit them on the seam. Johnny Boy opens a box of “Spaldeen” Hi Bouncers, 27 cents apiece. One piece, hard rubber, I hit them almost twice as far.

We travel all over Brooklyn, playing in schoolyards and on ruined streets in industrial areas where weeds push through the buckled roads. I see guys in knit shirts and slacks, passing money and I realize these older men are betting with Johnny Boy. I overswing and hit grounders.

Johnny Boy laughs at my nerves. “Whaddya worryin’ about, it ain’t your money…” After the game, win or lose, he takes us to Jahn’s Ice Cream Parlor on Church Avenue where we get the Kitchen Sink, a sundae with 32 scoops plus syrup, nuts and bananas.

On Sunday afternoons I am invited to Andrew’s house for “dinner.” He lives with his family–brothers, nieces, nephews, grandparents– in a four story brownstone in Red Hook. We eat in the back yard under a vine covered trellis. I sit at the foot of a long table with Andrew and Johnny Boy, trying not to look at their sister Rose’s huge breasts. Andrew’s dad is at the head drinking wine out of a gold-plated goblet. There are platters of roast chicken, salad with bottles of Kraft’s French, ziti with sausage, meatballs, chunks of veal and stuffed pig skin. I rise to bring my plate into the kitchen.

“Whaddya tryin’ to do, take the girls’ jobs away? ” Andrew’s father calls.

“He just wantsa get in the kitchen with Rosie,” Johnny Boy says and everybody laughs.

One Sunday, Andrew takes me aside. “Can you meet me later?”

At midnight I sneak out and ride my bike to 19th. Street, alongside the Brooklyn Queens Expressway, which was built when the city invoked eminent domain and demolished thousands of homes. Andrew gives me an ice pick. “See that baby blue El Dorado in the middle of the block? Rip up his tires, all four of ‘em.” His eyes gleam under the streetlight. “Rip ‘em to shreds…”

I’ve never done anything like this, but the movies have taught me how. I run low to the ground like the soldiers in “Battleground.” The lights are on in the house behind the El Dorado. I scramble around the driver’s side and plunge the pick deep into the tires. They deflate and start to sink. A figure appears at the window. I duck under the car and slash the rear tire on the other side, then scamper all the way around, using the car as cover, and puncture the front tire.

Andrew crouches behind the car. He reaches up and pours something down the grille onto the engine. “Fish oil,” he whispers as we run down the block. “Every time he starts the car he’ll get this stink and he won’t know where it’s comin’ from.” He’s shaking with silent laughter. “It’ll get worse and worse and nothin’ he can do about it…”

“Who is this guy?” I ask.

“Friend of my Uncle Artie’s…”

Andrew picks me up the next day. My mother won’t let him leave without eating. I cringe as she gives him a cream cheese and cucumber sandwich on pumpernickel; chopped eggs with chicken fat and fried onions; a piece of my grandmother’s cherry strudel. To me it pales in comparison with his mother’s ziti. He wolfs it down and thanks her, politely. “You have a nice friend for a change,” my mother tells me later.

“Wanna work at my Uncle Victor’s?” Andrew asks. He takes me to an empty store on Sackett Street, near the docks. A dumpy, cross-eyed guy looks me up and down. “Make a muscle, kid.” He squints dubiously at my skinny arms. “Gotta do push ups and chins.”

His name is Walter and he’s in charge. He leans a bridge chair against the wall and sits there all day, smoking Kools, reading the Daily Mirror and taking pulls on a quart bottle of Ballantine Ale. Andrew and I sit at the curb playing Casino. Once in awhile a truck rolls up and Walter calls: “Hey guys, you wanna get this?”

Sometimes it’s racks of suits or fur coats. Sometimes boxes of .45’s or LP’s or cases of J&B scotch. Anxious to prove myself I jump into the truck and hand the goods down to Andrew who puts them on a hand truck and wheels them into the store.

At the end of the day Walter peels two twenties off an enormous roll. “Don’t do nothin’ I wouldn’t do,” he says.

I realize I’m dealing with stolen goods or “swag,” as Andrew calls it, but for some reason I don’t think I’m breaking the law.

One day a nervous guy in a bloody smock pulls in with a truck full of sides of beef. “Hurry up, I gotta get back,” he says.

We have to carry the half-frozen meat down a ramp and into the store. Andrew jerks the sides onto his shoulder. I can’t get them up that high and have to hold them below my waist, straining my back. Walter watches in amusement. When the last side has been dumped he raises my arm in victory. “Winner and new champeen…” Slaps me on the behind. “You got guts…” And slips me an extra ten dollar bill.

Walter is an ex boxer. “Middleweight,” he says. “Toughest division in the fight game in those days.” I’m a worshipful listener to his stories. He talks about club fights–”Sunnyside, Eastern Parkway Arena…”–working his way through the prelims–”La Motta, Graziano, Joey Maxim, I seen ‘em all in those days.”– and crooked managers. “If I’d have had a connected manager I woulda gone right to the top. As it was I was just a cockeyed mick from Brooklyn with nobody behind me.”

Walter says he had a hundred forty-seven fights. “You fought twice a week in those days,” he says. “Now it’s twice a year for some of these guys. But I can still do the times table– two times two, three times three. I know guys who can’t even wipe their own asses anymore.”

He puts his arm around me. “Like my stories, huh? Come up to my room one of these days, I’ll show you my scrap book…”

One morning a flatbed with a high wooden fence around it is waiting as we come to work. The driver, a big, red-faced guy lunges at us. “Snap to it…”

Walter saunters around the corner with his paper, bridge chair and quart of Ballantine’s. “Mornin’ all.”

“Get goin’,” the driver says. “I been on the road all night.”

He opens the gate onto about fifty crates of live chickens. Half-dead really, some of them already gone. It looks like they just jammed as many chickens as they could into the crates and then nailed the crosspieces over them. The clucks and squawks are subdued, but the smell is overpowering and the flat bed is slick with droppings.

I try to lift a crate and can hardly move it. Even Andrew is straining so we decide to lift them together. Chickens peck at our hands. We have to put the crates on the edge of the truck, step off, lift them again and carry them into the store.

The driver watches with his arms folded. “Why don’t you get some decent guys for this?” he says to Walter.

“”What do they weight a hundred and a half?” Walter says.” If you’re in such a hurry why don’t you give the kids a hand?”

“I loaded em,” the driver says. “You unload ‘em. That means you, too, Pop.”

Walter waves his wad of bills. “I do the real heavy liftin’ around here, pal.”

The driver stands over Walter, clenching his big fists. “Get off your ass and unload these fuckin’ chickens or I’ll throw you on the truck with ‘em…”

“Okay, keep your shirt on,” Walter says, getting up.

We watch as they walk back toward the truck. Walter looks so small and hunched, next to this big guy. Tears of helpless humiliation rise in my eyes.

Walter stops to light a Kool and the driver walks a few steps ahead.

“Hey pal,” Walter says.

The driver turns and Walter hits him in the ribs with his right. He doubles over and Walter hits him under the chin with his left. It sounds like billiard balls colliding. The driver’s head snaps up. He staggers backwards, clawing the air until his feet slide out from under him and he goes down with a crash, banging his head against the fender.

A ribbon of blood flows out of the side of his mouth.

“Musta bit his tongue,” Walter says.

I’m amazed and triumphant. A bully has been defeated.

“How’d you do that?” I ask.

Walter shrugs. “You spend eight hours a day in the gym for twenty years you better learn how to throw a punch…Hose him down, Andrew.”

Walter watches as Andrew runs water over the driver until he finally stirs. Then nudges him with his foot.

“Get to work if you wanna beat the traffic.”

The driver rises to his hands and knees until his head clears. Then wobbles to his feet. Without a word he starts taking the crates off the truck. I hold the door open for him.

“C’mere,” Walter calls sharply. “He don’t need no help.”

It takes him an hour. He’s still woozy when he finishes and sits on the running board of his truck before getting up.

“Kid’s got your money,” Walter says, pointing to me.

I have seventy-nine cents in my pocket.

“Give it to him,” Walter says.

The driver stares at the coins in his dirty, callused palm.

“Seeya next time, pal,” Walter says.

As the truck pulls away Walter turns to us with a laugh. “If he thinks he caught a beatin’ now wait’ll he gets back upstate with seventy-nine cents.”

An hour later Johnny Boy drives up with an angry man in a rumpled suit. As the man speaks to Walter we tell Johnny Boy what happened.

“They say a fighter never loses his punch,” he says. “Walter was good in his day.”

“He could have been big, but the managers didn’t back him,” I say, full of indignation.

“Nobody would touch him after he did time,” Johnny Boy says. “They caught him humpin’ his nine year old nephew on the roof. He got nine years. Sat out the war.”

The next day I can’t go back to the store. Can’t face Andrew. I’m sick with the memory of Walter slapping my behind and putting his arm around me. Of his beery proposition…”C’mon up to my room I’ll show you my scrapbook.” It takes me a week to get over it and start masturbating again.

Fifteen years later I’m working as a bartender in a mob-owned disco in Times Square. Through the smoke and the strobes I recognize Andrew at the end of the bar. He’s the guy in the suit now, but still has that knowing laugh in his eyes.

“Bartending, huh?” he says. “I woulda figured you for somethin’ better.”

No point in explaining that I’m a writer picking up some extra money.

“How’s Johnny Boy?” I ask.

“He passed away a coupla years ago,” Andrew says and then quickly: “How’s your mom? Still with us?”

“Still with us,” I say.

He turns to the two guys behind him.

“His mother was some cook. Made the best egg salad I ever ate.”

AutoBARography 7: MY SHORT CAREER AS A GAY BARTENDER/PART THREE

DISCO FEVER

NEW YORK, July ‘73… Discos have exploded out of the hard partying gay sub culture. Everybody wants to wear glitter…Get loaded…Dance with wild abandon…

Everybody but me. I want to get a pastrami sandwich and go to the James Cagney festival at the Bleecker Cinema.

It’s a drug culture. Booze is not a factor. Most places just serve juice to wash down the drugs. And the drugs are all about sex. “Poppers” (amyl nitrate inhalers) which were developed to treat angina, generate frenetic energy and explosive orgasms. Quaaludes, promoted as a malaria cure, produce relaxation, euphoria and what the doctors call “aphrodisia,” the desire and the capacity to have endless sex. Women and gay men report incredible results. Not me. I gulp a ‘lude one night and wake up in a chair six hours later. Cocaine, originally used as an anesthetic for eye surgery, is reputed to make the user fatally attractive and non-stop horny. People on cocaine spend a lot of time admiring the way they look and the wonderfully clever things they have to say.

Not me. After ten years of hallucinating and learning things about myself that I didn’t need to know I’m off psychedelics and back on the booze. I just want to get crocked and wake up the same person I was the night before.

Music drives the scene. The British Invasion, Motown, The Philly Sound and the first stirrings of Disco keep people on the dance floor as much as the drugs. There are no B- sides. One great song is replaced by another. Soul Makossa is played over and over with the dancers chanting “Mama-ko Mama-sa Maka Makossa.” DJ’s are the new celebrities. Cutting between two turntables they can extend a dance beyond the normal length of a record. They change clubs like ballplayers or Chinese chefs and take their followings with them. Songs are personal anthems– Everyday People, Papa Was A Rolling Stone. In two years Gloria Gaynor’s I Will Survive will become everybody’s life story.

But not mine. While Diana Ross and The Supremes are going platinum I’m sifting through the bins in Colony Records looking for old Lester Young sides.

Everybody participates in what one writer calls “the democracy of the dance.” Stockbrokers, drag queens, suburban couples, bikers—everybody’s out there “shaking their booty” on the dance floor.

The clubs intimidate me. The dancing is athletically demanding and everybody seems to know the steps. The girls are insanely supple, in hot pants and halter tops. The guys look like they could do triple pirouettes in the Dance of Theater of Harlem and then beat me one on one. The only klutzes are the silent partners–the scowling wiseguys in the Armani suits with the pinky rings. And they don’t dance.

I’m a poster boy for the space-time curve. I share a material world with these people, but I’m in another era. I hang out at the Blarney Castle on 72nd and Columbus—a buck for an ounce and a half shot; corned beef and cabbage with a boulder-sized boiled potato. The only dancing I see is the pas de deux as Tom the bartender rousts the geezers who have drunk up their Social Security checks.

I’m working at the Hotel Diplomat in a dance hall for Italian immigrants, downstairs from Le Jardin, the newest, hottest disco in town. The place has been open three weeks and already it’s in Page Six every day with a new celeb sighting. But up until a week ago I didn’t even know it existed.

One Saturday night I’m in the liquor room scraping rat hairs off the lemons when Lester, the night manager comes to the door. “You wanna work Le Jardin tonight?”

A dark guy in a white suit is standing at the door.

“This is Mr. Addison,” Lester says.

Addison looks me up and down and is not impressed. “At least he’s young,” Addison says. “You’re going to make a lot of money tonight,” he says. “Don’t be greedy…”

In the elevator Lester confides: “The Saturday bartender Dennis got beat up at Riis Beach. I told them you could handle it…”

A narrow vestibule opens onto a room decorated with palm trees and potted ferns. The interior is white—white banquettes, white tables. Waiters on roller skates are laying out bowls of fruit and cheese. A guy with with a gelled goatee stops counting the bottles behind the bar.

“You from downstairs? What’s your name?”

“Woody,” I say.

“I’ll be judge of that,” he says. “I’m Ira…”

Ira takes me into an office room. A muscular guy in jockeys is combing his hair. “This is Jimmy, your partner for the evening,” he says. He steps back, squinting like a tailor. “Do you mind showing your legs? The bartenders wear uniforms…” He gives me blue sleeveless basketball shirt and shorts. Pinches my biceps. “Did you ever hear of the Y?” Groans at my work boots. “You look like the Bus and Truck tour of the Village People…”

“Ira’s a snap,” Jimmy says, getting into his uniform. He seems straight, but I’ve been fooled before. “This is a cool job. They do all your prep, cut the twists, make the sour mix, even wash the glasses…” His voice drops. “They’re paranoid about stealing. Don’t buy drinks, they hate that. If a customer buys you a drink make sure to take his money. They’ll be watching so don’t get cute. I think they’re connected…”

We go outside. It’s nine-thirty and the place is empty. A skinny lady with wiry red hair looks at me with hostile surprise. “Where’s Dennis?”

“In a urinal at Riis Park,” Ira says.

“That’s Fifi,” Jimmy says. “She’s Addison’s wife or hag or something…”

Ira shows me a tupperware container full of twists and lime. “In case you want a fruit…” He opens a box of stirrers. “Do you have a sizzle stick or a fizzle stick?”

Now he’s all business. “Two dollars for speed rack, two-fifty for call, three for cocktails. Pour a good shot, John wants happy customers…”

I’m strictly a dive bartender. The thick goblets and the sharp edged glass tiles on the bar make me nervous. “You could kill somebody with one of these glasses,” I say.

“We don’t feature brawling here,” Ira says. “Everyone’s a friend of the house…”

It’s ten o’clock and nobody’s there.

“The place is dead,” I say to Jimmy.

He smiles. “It’s a late shot. It’ll pick up.”

NEXT: IS THAT REALLY BIANCA JAGGER?

AutoBARography 7: MY SHORT CAREER AS A GAY BARTENDER/PART ONE

THE HOTTEST SPOT IN TOWN


July ‘73, Times Square, New York…There’s a recession on, but you can’t tell by me. I’ve got a bar job– twenty-seven bucks a night and all the goldfish I can eat. It’s at the Hotel Diplomat, an SRO on 43rd. St. and Sixth Ave. We call it “the Roach Motel” because once you check in you don’t check out. Half the tenants are seniors, shuffling around the mahogany chairs and sputtering lamps in the lobby until they find a spot on a lumpy sofa where they can lean on their walkers, muttering to the ghosts in the gloom. They stop breathing in rooms filled with fifty years of clutter, and lie forgotten until their stench signals their demise. The stronger ones make it to the hospital, bounced down the steps on a gurney, heads turning for one last dazed look around before they vanish into the ambulance of no return.

Hookers live in rooms rented by their pimps, who hang out in a bar off the lobby. They are hustled out, handcuffed and hysterical, by Vice Squad cops. New girls immediately take their places like there’s a waiting list. The seniors lean on their walkers and watch as they lead raucous sailors, nervous high school kids or furtive men in suits across the lobby.

Slouchy guys mutter in the phone booths by the elevators. Some of them are found with the needles still in their arms. Alerted by a trail of blood under the doors the maids enter to find the others tied, gagged and slashed in ransacked rooms. The seniors hobble down the hall as EMS workers wheel the bodies out, wrapped in their bloody sheets.

Rats the size of anteaters raid the liquor room, ripping open the bags of pretzels, unscrewing the tops of the maraschino cherry jars. We shout and sing to get them to scatter before we enter, but there are a few practical jokers in the pack. You don’t know what terror is until you’ve been startled by a giant rodent covered in Red Dye No. 2.

The Diplomat was once the hotel of the soft Left. The Socialist Party had its meetings and dances in its three ballrooms. Now promoters rent the spaces for dances and special events. Friday, Saturday and Sunday night the Crystal Room, so named for its chandeliers, is taken over by Alfredo, a twitchy middle-aged Neapolitan and Gerry, his blonde Brooklyn girlfriend. They put on dances for Italian immigrants. They charge ten dollars at the door and the hotel gets the bar. The room has a capacity of seven hundred and fifty. Every night begins with Alfredo pacing nervously as a few people straggle in. But by ten o’clock the place is jammed.

Three of us work a ninety foot bar. It’s Paul, a retired mailman from Harlem, Al, an angry butcher at Gristedes, who sells swag steaks out of the trunk of his car and me, a recently separated hack writer with a six year old son. We each have a bottle of Seagrams Seven, Highland Dew scotch, Gordon’s gin and Wolfschmidt’s vodka–and a soda gun. Seven and Seven is the cocktail du soir; we go through at least three cases of Seagrams a night. All drinks are $1.25 and served in plastic cups. No bottled beer; quarrels often erupt and the management doesn’t want any throwable glassware available.

The customers rush the bar, hundreds of them, shouting and shoving and clamoring for drinks for like they’ve been crawling on the Sahara for weeks. They pay in small change. “These greaseballs don’t go for spit,” Al says. By midnight, we have so many nickels in the register that Lester, the night manager dumps them in a huge sack. A quarter is considered a big tip and is presented with much pomp and ceremony. A few of the guys proffer a buck like it’s the papal crown on a plush pillow, but then they want free drinks for the friends and any stray girl who happens by. We do the math and figure that with people coming and going Alfredo is grossing ten thousand cash a night on Friday and Saturday and about five on Sunday– twenty-five G’s for low. Figuring an average crowd of twelve hundred, averaging three drinks at $1.25 per, that’s about $4500 for the hotel. For very low. “Everybody’s makin’ money and we get screwed,” Al says. We decide to charge the customers and steal from the till.

A quintet plays Top 40 and traditional Italian. Vito, the vocalist, a short kid with a gimpy leg and coke bottle glasses, is the ideal cover singer, doing Marvin Gay, Frankie Valli or Domenico Madugno with equal fidelity . Gerry rakes the dance floor with disco lighting, flashing, strobing, changing color, sweeping the room like a prison spotlight. The dancers do the same steps to a proto party list, going from Swear to God to Let’s Get It On to Volare.

There is a hard core of about a hundred regulars who show up every week. Among the men, an older group, smooth-shaven and slick-haired in wide-shouldered suits clusters at one end of the bar. They own pizza parlors all over Brooklyn and Staten Island, Vito explains. Another faction, young and modish in jeans and leather vests over sleeveless tees comes to my end. They work in “debt collection, you know what I mean?” Vito says flicking his nose. The two groups greet each other guardedly and never mix.

The females are either overdressed, heavily made up and deliriously sexy, at least to me, or mousy and awkward and giggling with each other. They arrive in groups like a bus tour and dance together for the first hour until the men join in. Everyone usually pairs off, but one night I spot a melancholy lady staring at me as she knocks back Seven and Sevens. At closing an invitation to coffee leads to a lurching clinch in the lobby and more stumbled kisses on the subway steps. But she sobers up on the long ride out to Brooklyn and by the time we get to Bensonhurst it’s life story time with lots of names and places, weddings, spiteful cousins, he saids, she saids… I find out she lives on 18th. Avenue with her parents and her “fiance” is a few doors down and I’m out of there. The next week she’s at the bar with one of the “debt collectors,” giving me a complicit smile like we’re having a mad affair.

The ’60’s had been a stressful time, what with psychedelics, army physicals and the shock of parenthood. Now, in the ’70’s I wake up broke, rejected and full of guilt on a mattress on the dusty floor of an empty apartment. But I’m not in school, I’m not in the army, I’m not married and I’m up for a job writing porno novels at ten dollars a page. Life is good.

One night I come to work to find a line a gleaming limos in front of the hotel.

“We doing weddings now?” I ask Lester.

“They’re havin’ a big party at Le Jardin tonight.”

He’s a black dude who’s been at the Diplomat for forty years, working his way up from porter. You’d think he had seen everything, but he shakes his head in amazement.

“They had Diana Ross and the Supremes up there the other night. They get just about everybody…”

I remember a few weeks ago when the place opened. “They got a fag joint on the roof,” Al had said.

Vito had gone up there one night and come back with a dismal report. “No live music…They got a DJ like on the radio. Two turntables goin’ back and forth…” He looked at me helplessly. “Everybody’s gonna do this now. We’re dead…”

It’s the beauty of narcissism. A seismic cultural phenomenon was erupting right under my nose and I didn’t even notice it.

For the first time I notice that the lobby has a new population. Young, stylish, flamboyant, pushing the seniors off their perches, interfering with the orderly process of prostitution, even sending the dope dealers into temporary retreat. They jam into the only elevator that goes to the roof, making so many trips that the motor burns out and they have to take the stairs.

“They wait on line like they’re givin’ out twenty dollar bills,” Lester says. “You oughta go up there. They got everything goin’ on…”

TO BE CONTINUED

MAFIA MAKES A COMEBACK IN FALTERING ECONOMY

RED HOOK, Brooklyn, September 12…Until last week Barb Blasingame thought Shylock was just a character in  a Shakespeare play. 

But then her bank turned her down for a home equity loan. 

Now Barb knows that Shylock is alive and well and going by the name of Fat Funzi   of Sackett Street and she couldn’t be happier.

“Call him a loanshark if you like, but Fat Funzi saved my life,” she says.

Barb and her husband Pabu, a Tibetan weaver, have been running Yayla Rugs out of their brownstone on Fifth Avenue in the Red Hook section of Brooklyn since they left their ashram in Ashland, Oregon six years ago. 

“We were dewy-eyed hippies ripe for the plucking,” she says, “but Brooklyn took us to its bosom and gave us life.”

They prospered in this newly trendy area, selling the colorful 150 knot rugs that Pabu’s family have been weaving for centuries.  “We dealt with the newly childed wealthy,” Barb says. “They were young, accomplished and expanding their lives to include new souls.”

But then tragedy struck. Working late into the night to fill their orders Pabu fell asleep at his loom of rods. A spark from his prayer lamp, which burns clarified yak butter, dropped onto the tangle of pure mountain sheep wool at his feet. Within seconds his work room was aflame. 

Pabu was lucky to get out with minor burns, but the work room was destroyed. With their customers clamoring something had to be done. Barb went to the bank to extend her home equity loan. To her astonishment they turned her down.

“The loan officer was very sweet,” she says. “He explained that the bank was carrying so many bad loans that it couldn’t lend any more money. He also said that he had to close our credit line because the value of our home had dropped below the amount we owed, between mortgage and home equity…”

Barb did some research. She found that Americans owed $1.1 trillion in home equity loans.  As of 2007 more than 5 per cent of those loans were delinquent or in default. That number had shot up to 11 per cent in the first few months of 2008. Banks were taking billions of dollars in bad debt write offs. More than 60% of banks had tightened their loan criteria. It was estimated that $50 billion had been taken out of the credit market in the last few months.

It looked like Barb and Pabu were going to become casualties of the sub prime crisis. But then their guru Soygal Rinpoche told them about a mysterious benefactor. He guided them down Sackett Street, past Googie’s Adorables and Riskay Rita’s Unmentionables. In between Fern’s Tchotchkies and Tots’n'Tubers, which specializes in teaching toddlers creative projects with root veggies, was a storefront its windows painted black.

“I had walked this street ten thousand times and never seen it,” Barb says. “I realized I was entering another dimension.”

Inside the dark room she found a huge fat man sitting like an inscrutable Buddha on a bridge chair. 

“He said his name was Fat Funzi,” Barb says, “but I knew he was an avatar of Tsho-Gyalma, the God of Happiness.”

Fat Funzi was a man of few words. 

“How much you want?” he asked Barb.

She told him and he nodded.

“Six for five,” he said. And the deal was done.

The mob reigned supreme in Brooklyn for many years, but fell on hard times in the ’90’s.

“Giuliani put us in jail,” Fat Funzi said in an exclusive interview with the Daily Event, “but Alan Greenspan put us out of business.” 

Greenspan, head of the Federal Reserve Bank, presided over the largest  expansion of credit in  history.

“Under Greenspan any deadbeat could get a loan,” Funzi said. “You didn’t need no collateral, no references. You didn’t need to come to me no more…”

Funzi gloats over what happened next. “But deadbeats don’t pay back. And if you can’t collect  with a two-by-four you’re outta luck.”

As of March 2008, ten percent of the mortgages were delinquent or in default. Banks were foreclosing on property that was worth less than their loans. Billions of dollars of mortgage derivatives were transformed into junk. Investment banks went under.  Retail banks facing huge losses, had no money to lend. 

“We were back in business again,” said Funzi.

After years of indigence the Mob was cash poor as well. But it had ways of raising capital.

Barb’s first loan  was in sacks of quarters that Funzi’s boys got from plundering parking meters. Then there was an envelope of two-dollar bills burglarized from a collection upstate. Hundreds came rolled up with traces of cocaine. 

“Funzi said they were donated by ex drug dealers who wanted to give back to the community,” Barb says.

Funzi even arranged for contractors to come and rebuild Pabu’s work room. They didn’t need an approval from the city.

“Funzi said the building inspectors were with him,” Barb says. “He took my hand in the nicest way and said: You’re with me, too. Nobody will ever bother you again.”

Barb felt she was going back in time to the old Brooklyn that existed before the settlers came from Manhattan and the Continent.

“It was like finding middens, remnants of an old civilization,” she says. “There had been a rich native culture here once.”  “With its own traditions, its own rituals.”

She says she learned some of the native language. 

“Vig was the interest on the loan. It was very zen. You paid and paid, but it never got any smaller.”

Only Funzi had power over the “vig.”

He taught me another word,” says Barb. “Gummare…It was like the Chinese custom of the second wife. Funzi said if I became his gummare he would make the vig go away.”

But Pabu said polyandry was forbidden in the Tibetan culture and Barb gratefully refused Funzi’s offer.

Then, after a few missed payments, Barb learned a new meaning for the word “kneecap.”

In the hospital, Pabu did some research. When he  came off the crutches he told Barb he had discovered a branch of Buddhism, the Vagrayana, that allowed a married woman to become the “spiritual consort” of another man.

Now balance has been restored. The debt is repaid. Pabu’s loom is clicking. Barb has  a huge diamond ring and a diamond choker so heavy she can hardly hold her head up.

“Everywhere we go Funzi introduces me as his Spiritual Consort,” Barb says. “His friends laugh and clap and everybody’s just in the best mood.”

PUTIN WANTS TO BE TONY SOPRANO

putin0.jpg

PUTIN WANTS TO BE TONY SOPRANO

GREENPOINT, Brooklyn, Aug.28…Winston Churchill famously called Russia “a riddle wrapped in an enigma inside a mystery.”

In the aftermath of Russia’s brutal foray into Georgia, analysts were wondering what was going on behind the stone walls of the Kremlin and especially in the mind of its leader, Vladimir Putin.

Now Igor Yopsvoyomatsky, head of the Greeznyzidh Think Tank, feels he has unwrapped the enigma and solved the riddle.

“Putin doesn’t want to be Tsar or Commissar,” he says. “He wants to be Tony Soprano…”

In an interview at Golubchik’s Lounge, Yopsvoyomatsky, a recent immigrant from Pinsk said he didn’t truly understand Putin until he came to America.

“In Brooklyn, on the streets of the Bensonhurst, quarter, I saw scores of muscular young men in sleeveless undershirts they call “wife-beaters,” wearing heavy gold ID bracelets and big rings, which is Putin’s preferred outfit. I heard stories about Sammy “the Bull” Gravano, another short man with big muscles who controlled the neighborhood. This is Putin’s fantasy role, I thought. The Mafia strong man.

“Putin models his behavior on American gangster culture,” Yopsvoyomatsky said. “He uses blackmail and intimidation. He works behind front men, corrupts public officials, and assassinates those who defy him.

“If you look at things in Mafia context you can predict every move he will make”

Yopsvoyomatsky offered the Georgian invasion an an example.

“This is about wiping out a rival boss and at the same time crushing a front man who wouldn’t play ball,” he said. “A two-horse parley, Tony Soprano would say.”

Putin’s Mob had made a deal with British Petroleum to exploit Russian oil and gas resources. ” BP was big corrupt company,” Yopsovoymatsky said. ” Involved in bribery and blackmail scandals . It had ignored safety standards, which led to bursting of Alaska pipeline and an explosion in Texas that killed fifteen. So BP made a deal behind Putin’s back with Georgia to construct pipeline that would run from Baku through Tiblisi, the Georgian capital, to Ceyhan in Turkey, completely bypassing Russian pipelines and providing independent supply of natural gas to Western Europe.”

BP’s Georgian country manager, Hugh G. McDowell said at the time that the “oil and gas fields of the Caspian (were) among the most sizable and productive in the world.” The pipeline traveled 1,768 km and transported one million barrels of oil a day. When it was opened in July 2006, BP said it was the largest new non-Opec source of oil supply in 15 years.

With a grimace Yopsvoyomatsky threw down a shot of Popov, the vodka in the plastic bottle, coughed and wiped his streaming eyes.

“Tony Soprano would never let someone make big money in his backyard,” he said. “So Putin wasn’t going to let his front man make a deal with enemy mob in Georgia to cut him out,” he said. “He also wanted to teach BP a lesson, not to, how you say, mess with the Boss of all Bosses.”

The Russian invasion effectively shut down the Georgian pipelines. The Russian Navy took over the port of Poti, preventing oil tankers from docking. It bombed the main east-west bridge that connected various oil depots to Tiblisi. It crippled BP’s jet fuel business at Tiblisi airport. It intimidated the neighboring countries, serving notice of what would happen if they made deals with the West.

Was it a success?

Maybe, but…Yopsvoyomatsky shook his finger with a sly look. “This is not the way Tony Soprano would do business,” he said.

“Tony would have brought in top hit men to show strength. Instead, the world watched rusty Russian tanks break down. It got a good look at antiquated military in action…Russians were so desperate they stole American Humvees to drive their generals around…”

“Tony would have consulted his soldiers first to see if his family businesses would be affected,” he said. “Putin didn’t do this. And now the Russian stock market has lost much value; the ruble has sunk; investors are withdrawing from deals; Russians were gobbling up American steel companies, but now US Congress wants to put a hold on acquisitions.

“Tony would have requested permission from the other families before making such a big move in their neighborhood,”Yopsvoyomatsky said. “Dictators and Dons do not like to be taken by surprise. But Putin didn’t inform Uzbekistan, Kazakhstan, Kyrgystan and Tajikstan, not to mention China, which is its counterpart in the Shanghai Co-Operation Organization, Central Asian version of New York’s Five Mafia Families. These countries also have rebellious provinces with secessionist movements. They don’t want trouble. They did not give Russia a public vote of confidence at their annual meeting. China even expressed ‘concern about the latest developments in Abkhazia and South Ossetia,’ which is equal to slap in the face to Putin. Behind closed doors you can imagine how angry they really are.”

Yopsvoyomatsky thinks Putin has made a mistake. “He has no support from his so-called allies, his vassals are losing money and his enemies have forgotten their differences to unite against him.

“This is classic Mafia scenario,” he said. “The faithful Medvedev, the heir apparent, is watching in the wings as the Boss stumbles. He is having secret meetings, building alliances, biding his time.

Yopsvoyomatsky raised his glass. “Putin maybe has one more Mafia lesson to learn:

Dons don’t die in bed.”