Tag Archive for 'coney island'

MY CAREER AS A PETTY THIEF/PART SEVEN

Published by admin on December 3, 2009 in archives. 2 Comments

I STEAL A MATCHBOOK FROM MARILYN MONROE
PART ONE
THE HORNY AND THE DEAD

It’s 1961 and Brooklyn isn’t cool yet. It’s still a tributary, sending stenographers and piece workers across the bridge to mother Manhattan. Where colorful locals “tawk like dis” and mourn their departed Dodgers.

No war movie is complete without a “dese and dose” Flatbusher getting a salami from his mommy while he wisecracks in the Army. No B-musical can be filmed without a gum-popping Coney Island chorine who “knows the score.”

The Brooklyn Museum has a world renowned collection of hieroglyphs and papyri; the Brooklyn Botanical Gardens has the finest stand of Japanese cherry trees outside of Kyoto. But those joints (as we say in Brooklyn) are just for tourists and field trips.

Norman Mailer and Truman Capote are Brooklynites, not to mention poet Marianne Moore for whom the term “doyenne” was invented. But they live in Brooklyn Heights, a spit, which broke off from Manhattan Island after the Ice Age and has been trying to reattach ever since.

The real Brooklyn is a seething mass of sexual speculation. Three million people existing in uneasy intimacy with total strangers. Standing nose to nose and crotch to buttock on the subway. Adjoining each other in crowded apartment buildings where you can hear a sigh or smell a fart through thin walls. Looking at each other and wondering: “Does she want to?” “Is that a hint?” “Why is he staring at me like that?” “Should I say something?” ” What if Morty finds out?” “Jeeze, her boyfriend’s a fuckin’ giant…”

You want libidinal chaos? Try Coney Island on a summer weekend. The beach is a heaving mass of wriggling limbs, so jammed you can’t see the sand. Every age and variety of human anatomy is on display. You seesaw from repulsion to infatuation as you tiptoe between the blankets.

In my wanderings I see a clump of humanity, risen like a bush in the desert. That means there’s a hot bod on a blanket. I change course, trampling shrieking infants and dozing oldsters until I find myself on the fringe of a group of desperate men, all trying very hard not to look at what they came to see. A babe in a bikini pretends she doesn’t know she’s being watched and continues doing her nails, smoking a cigarette or, most excruciating of all, lying on her stomach while her friend spreads Bain de Soleil on the backs of her legs. She doesn’t have to be a beauty. A bit of boob peeking out of the bottom of a bra, a wisp of unshaven pube is enough to draw a frenzied mob.

Brooklyn is a place to be from, not to go to. This is proven by who dies and who buries them.

I’m working at Riverside Memorial Chapel, a funeral parlor on Park Circle across from Prospect Park. I’m a “removal man.” Every night I go to cluttered apartments in shabby neighborhoods where a very old person has quietly passed among his/her souvenirs. The deceased can lay undiscovered for days, even weeks, their death scent oozing out from under the door, obscured by cooking smells, gas leaks and general funk. Eventually, the uncashed Social Security checks in their mailboxes sound the alarm and cops arrive with crowbars. I show up soon thereafter, black suit and body bag my badge of office. I walk past stiffly posed photos of the old country, wedding pictures, Bar Mitzvah shots to a rumpled bed where a crumpled person in a cotton nightgown or striped pajamas settled in for a nap and never woke up.

I move bodies out of morgues in large hospitals. The attendant slides open a drawer on staring faces in the blue hospital gowns they died in.

I venture into Brooklyn’s vast, uncharted interior. To forgotten Jewish nursing homes in the encroaching black ghetto. The splintered steps creak. The warped screen door squeals. On the porch skeletons turn.

Is he here for me?

No Shmuel, you’re not dead yet.

The deceased is covered by a threadbare gray sheet. A friend sits by the window, nodding and licking cracked lips. They hand me a small valise and a shopping bag filled with used sundries. I belt it onto the stretcher on top of the body.

Two days later we bury them. The families show up all sleek and suburban in shiny sedans. The men are dressed for the office. The women wear dark suits, fur capes and walk in clouds of scent. The grandchildren bicker and fidget. Everyone has that extra layer of flesh that you get when you’re born in America.

A hired rabbi reads the prayers and gives a brief summary of the person’s life. It’s 1961 so we get a lot of “he/she survived the hell of Auschwitz;” or “came to this country at the age of nine with nothing but the clothes on his/her back; ” or “sent three children through college on a cutter’s salary…”

Occasionally, a cry of grief escapes like a hiccup.

“Momma, don’t leave me…”

Or:

“Forgive me Papa…”

It is answered by a brief of chorus of sobs and murmurs. The rabbi waits for silence, then concludes with the prayer for the dead. The chapel empties. We wheel the casket into the hearse. And wheel the next casket in for the next service.

Jews don’t bury on Saturday so Sunday is our busiest day. The manager is Italian, Anthony Sconzo, but he calls himself Yale Slutnick in deference to the clientele. On Sundays his wife cooks dinner for the staff, A big pot of veal pizzaiola with meatballs and chunks of sausage. Baked ziti with eggplant and mozzarella. Broccoli rabe. We eat in the back office, slipping on Orthodox burial shrouds so we won’t get sauce on our suits.

I don’t get this food in my mother’s kitchen so I am gorging myself when the phone rings. Sconzo listens for a while.

“Very funny, Angie” And covers the phone, shaking his head. “My stupid sister-in-law…” But then gets serious.

“Yes, okay, I understand…Sure…We’ll take care of it…”

And hangs up with a look of utter stupefaction.

We watch as he struggles to regain the power of speech.

“Why is this day different from all other days?” he finally gasps.

We pause, forks poised.

He rises and stretches his arms to the sputtering fluourescents, looking like Lazarus in his sauce-spattered shroud.

” Marilyn Monroe will be attending a funeral here,” he announces.

A scream issues from his limbic recesses.

“MARILYN FUCKIN’ MONROE!”

Next: THAT ARTHUR MILLER? WHO KNEW?

 

MY CAREER AS A PETTY THIEF/PART FIVE

Published by admin on October 23, 2009 in archives. 2 Comments

I MEET THE FIXER

It’s 1960. The US is beginning its longest period of economic expansion in history. But as business booms disillusion gnaws at the national psyche.

The Russians shoot down the U2, an American spy plane. President Eisenhower disavows its mission, then backs off and becomes the first American president to admit he has lied.

There are bloody uprisings in the Asian and African colonies of our wartime allies France and Britain. We had thought of them as bulwarks of democracy and freedom, but now realize they are oppressive imperial powers.

Four black students sit in at a segregated lunch counter in Greensboro, North Carolina. They are arrested. Protesters all over the South are beaten, jailed, attacked by police dogs. Six years after Brown vs. Board of Ed. one quarter of our country is still a police state.

John F. Kennedy, a dashing young war hero with a hot wife, runs for President, promising change and a New Frontier. He is tied with Vice President Nixon until late returns from Cook County, Illinois make him victorious by one tenth of a percent. “The boys in Chicago fixed it,” says Mr. Leo, who runs numbers in Tony’s candy store on Eleventh Avenue in Brooklyn. “Just like Luciano fixed New York for FDR in ‘32.”

My father has given me a job at the Riverside Memorial Chapel on Park Circle across from Prospect Park. He has worked himself up from monument salesman to manager, but is mortified at being in the funeral business. When people ask him what he does he says: “I play third base for the Cubs…” Or: “I’m the wine steward in the Woman’s House of Detention.”

I need a special Chauffeur’s license to drive the hearses, panel trucks and flower cars. But I’m 17 and you have to be 18 to get a Chauffeur’s license. Plus you have to pass another written exam and road test.

“Albino will fix it,” my father says.

Albino is a limo driver with connections way above his station. He is short and dark with a sharp, chin and beak of a nose. His eyes rove restlessly and his head jerks like a hungry bird’s.

On the way to the DMV I hear the story of his life. He talks in staccato bursts… “Youngest of eight. My father only had enough gas left in the tank to make a dwarf…He was a big guy,too…Everybody in the family shot up… Even in my sisters…I’m shorter than my mother for Chrissake…”

We drive over the Brooklyn Bridge into Manhattan. “We’ll go to Worth Street,” he says. ” I don’t trust those mamelukes in Brooklyn…”

He spent five and a half years in the Army during World War II. “They didn’t let me out until every Jap was dead.” He asks me if I’ve gotten my draft card. “Tell me when they call you for your physical,” he says. “I got a doctor who’ll make you 4F.”

There are lines out the door at the DMV. Only one window for the Chauffeur’s License applicants and there are at least a hundred guys ahead of me.

Albino pulls me away. “Wiseguys don’t stand on line…”

He gives me the form. “Fill this out.”

A few minutes later he is back. “Let’s get your picture took…”

The photographer is a little guy in a plaid bow-tie, eyes bulging behind horn rimmed glasses.

“Anybody ever tellya ya look like Tony Curtis?” he asks.

“No…”

“They will now…Stand straight and look serious…”

Albino takes me aside. “Got ten bucks?”

I don’t carry that much cash.

“Never mind, I’ll front it…”

My license shows up in the mail five days later.

I pay Albino back the ten. Years later I find out he told my father it cost 20 and got that plus a ten spot for his time.

I’m taking morning classes at Brooklyn College. Between the boiling radiators and the boring professors I go into a coma every morning. My Western Civ instructor, Professor Hoffman asks the class to talk quietly. “We don’t want to wake Mr. Gould.”

At two o’clock I run to my ‘57 Bel Air, my home away from home. I change into a black suit in the back seat and head to the chapel. My job is to stand in the lobby and direct people to the reposing rooms. After visiting hours Albino and I load up a Chevy 31 Panel truck with mourner’s benches for religious Jews.

“Here’s a little trick, kid,” Albino says as we go to the first house. The order is for five benches, but he takes three.

A haggard old man, nose running, eyes red-rimmed complains: “We ordered five. We have to have five benches for the immediate family.”

Albino pats his arm. “Let me see what I can do.” He brings the two extra benches into house and comes back with a five dollar bill and a gleeful smile.

“Works every time.”

No one can be buried without a valid death certificate, issued either by the attending physician or the Medical Examiner. The Board of Health is very strict about correct cause of death and has been known to disallow a death certificate, causing a delay in burial. Also, religious Jews and Catholics object to autopsies, causing more costly complications.

But Albino has “fixed” Katz, a clerk on the night shift. He gives me careful instructions.

“Wait ’til there’s nobody in the room. Go to the cage and tell him you’re Albino’s friend from Riverside. Slip the certificate under the bars with two bucks under it.”

I do exactly as ordered. Katz, his face shadowed by a green visor, stamps the certificate without even looking at it and slides it back.

It occurs to me that we might be helping somebody get away with murder.

Albino agrees. “We might be at that.”

And puts in an expense chit for five dollars.

My Bel Air is what they call a “big six.” It can fly. The Brooklyn B ridge at 2am is a great proving ground.

But one night I get a speeding ticket. Next day I’m telling everybody how this motorcycle cop came out of nowhere. Later Albino sidles up.

“You wanna beat a ticket?”

He gives me a copy of the NYPD house organ, Spring 3100, a magazine distributed only to cops. “Put a copy of this on your windshield, and write Albino on the front page,” he says. “Keep your license in a little plastic envelope with a tensky folded up behind it. The cop’ll see the magazine. You slip him the license…” He snaps his finger. “Bingo, you’re outta there.” Then, in all seriousness, he warns: “it probably won’t work if you run an old lady over, or somethin’.”

That Friday night I go to a loft party in Greenwich Village. Four hours later I have ten very stoned beatniks in my Bel Air. Arms and legs sticking out of the windows, people giggling and struggling for breath under the pile. We decide to see the sun rise at Coney Island. A cop car follows me across the bridge and pulls me over. It’s a sergeant with a chest full of commendations. He looks at the squirming mass in the car.

“You tryin’ to break a college record or somethin’?”

As I open the door three people fall out at his feet.

“I’m gonna get writer’s cramp with you, pal,” he says.

He makes me walk a straight line. Close my eyes and touch my nose.

“If you were drunk at least you’d have an excuse,” he says. “You’re just a moron.”

He takes the magazine off the windshield. Takes my loaded license back to his car.

I wink at my friends. “Watch this…”

Ten minutes later he comes back with a fistful of tickets and hands them to me one by one.

“Overloading a car…Changing lines without signaling…Driving over the lane markers…One red light infraction…Broken tail light…Going 45 in a 35 mile zone. Normally, I would overlook that, but I’m throwin’ the book at you, asshole.”

He follows me as I drive everybody to the Borough Hall subway station and watches as they get out to take the subway back to Manhattan.

Then, he hands me my license with the ten still in it.

“You were lucky tonight, kid,” he says. “Next time I’ll be pullin’ your body out of a burning car.”

Next day I tell Albino the story. “At least there’s one honest cop in the world,” I say.

Albino doesn’t accept that explanation. He shakes his head in puzzlement. Then, he brightens.

“You said it was a sergeant, right?”

“Yeah…”

“That’s it, ” he says triumphantly, his vision of a corrupt universe confirmed. “Dopey me.” He smacks himself in the forehead with the heel of his hand. “I forgot to tellya. Sergeants you gotta pay double, ’cause they kick back to the captain…”